Released on the Winter Solstice 2017, this piece is inspired by a visit to the central feature of the infamous Paris Catacombs, 'The Crypt of the Sepulchral Lamp' during May of 2015.

Here is a history of the location;

The Catacombs of Paris are underground ossuaries in Paris, France, which hold the remains of more than six million people in a small part of a tunnel network built to consolidate Paris' ancient stone mines. Extending south from the Barrière d’Enfer ("Gate of Hell") former city gate, this ossuary was created as part of the effort to eliminate the city's overflowing cemeteries. Preparation work began not long after a 1774 series of gruesome Saint Innocents-cemetery-quarter basement wall collapses added a sense of urgency to the cemetery-eliminating measure, and from 1786, nightly processions of covered wagons transferred remains from most of Paris' cemeteries to a mine shaft opened near the Rue de la Tombe-Issoire.

The ossuary remained largely forgotten until it became a novelty-place for concerts and other private events in the early 19th century; after further renovations and the construction of accesses around Place Denfert-Rochereau, it was open to public visitation from 1874. Since January 1 2013, the Catacombs number among the 14 City of Paris Museums managed by Paris Musées. Although the ossuary comprises only a small section of the underground "carrières de Paris" ("quarries of Paris"), Parisians presently often refer to the entire tunnel network as "the catacombs".

The need to eliminate Les Innocents gained urgency from May 30, 1780, when a basement wall in a property adjoining the cemetery collapsed under the weight of the mass grave behind it. The cemetery was closed to the public and all intra muros (Latin: "within the [city] walls") burials were forbidden after 1780. The problem of what to do with the remains crowding intra muros cemeteries was still unresolved.

Mine consolidations were still occurring and the underground around the site of the 1777 collapse that had initiated the project had already become a series of stone and masonry inspection passageways that reinforced the streets above. The mine renovation and cemetery closures were both issues within the jurisdiction of the Police Prefect Police Lieutenant-General Alexandre Lenoir, who had been directly involved in the creation of a mine inspection service. Lenoir endorsed the idea of moving Parisian dead to the subterranean passageways that were renovated during 1782. After deciding to further renovate the "Tombe-Issoire" passageways for their future role as an underground sepulchre, the idea became law during late 1785.

A well within a walled property above one of the principal subterranean passageways was dug to receive Les Innocents' unearthed remains, and the property itself was transformed into a sort of museum for all the headstones, sculptures and other artifacts recuperated from the former cemetery. Beginning from an opening ceremony on 7 April the same year, the route between Les Innocents and the "clos de la Tombe-Issoire" became a nightly procession of black cloth-covered wagons carrying the millions of Parisian dead. It would take two years to empty the majority of Paris cemeteries.

Cemeteries whose remains were moved to the Catacombs include Saints-Innocents (the largest by far with about 2 million buried over 600 years of operation), Saint-Étienne-des-Grès (one of the oldest), Madeleine Cemetery, Errancis Cemetery (used for the victims of the French Revolution), and Notre-Dame-des-Blancs-Manteaux.

The catacombs in their first years were a disorganised bone repository, but Louis-Étienne Héricart de Thury, director of the Paris Mine Inspection Service from 1810, had renovations done that would transform the underground caverns into a visitable mausoleum. In addition to directing the stacking of skulls and femurs into the patterns seen in the catacombs today, he used the cemetery decorations he could find (formerly stored on the Tombe-Issoire property, many had disappeared after the 1789 Revolution) to complement the walls of bones. Also created was a room dedicated to the display of the various minerals found under Paris, and another showing various skeletal deformities found during the catacombs' creation and renovation. He also added monumental tablets and archways bearing inscriptions (that some found questionable) that were warnings, descriptions or other comments about the nature of the ossuary, and, for the safety of eventual visitors, it was walled from the rest of the Paris Left Bank already-extensive underground tunnel network.